In other words, "radio is of capital importance for the church", so it was necessary to fight "against the dangers of a non-Catholic radio" by making its own programs. And to make sure that "soon, there will no longer be a single family where Catholic radio does not penetrate".
Still the battle for audiences, but this time in the very field of the new media, in the midst of other program offerings. All this because in dark rooms, the other means of disseminating information, cinema, is really not recommendable. "Cinema is greed speculating on sensuality", a cry of repulsion uttered by the Bishop of Vicenza in February 1929. He continued his indictment by pointing out "the scenes of seduction, the intrigues of adultery, the debauchery of the most abominable circles...". There they are, the risks of cinema, the man of the church growled. The filth of the image soiled the soul. The alarm was sounded. "Let patronage and parish cinemas take the greatest care in reviewing films, let them order the separation of the sexes in the theaters, and let the show not go beyond midnight. "This vision, if one dares say, of the 7th art , was very shared at the time, even if some in the church also saw it as an instrument of education...
Vatican Radio
Radio, at least, did not present all these dangers. Of course, the gambling data uk Church recommended vigilance, but the medium was somehow considered intrinsically practicable. So the Vatican equipped itself with its own antenna, Vatican Radio, whose mission is still to make "the voice of the pope" heard.
His holiness was then called Pius XI. Ambrogio Achille Damiano Ratti, his baptismal name, knew how to gain respect. We owe him the papal appearance on the balcony of Saint Peter's. He was described as authoritarian, capable of irony, and above all able to face the new strongman in power, Benito Mussolini, an anticlerical whose ideology PIUS XI did not appreciate. After the Lateran Accords signed in 1929 precisely with the Duce, here he was at the head of the newly created Vatican State. A State now able to have ITS radio. And in the context of the time, politically torn between fascism, Nazism and communism, and tormented by the media, confronted with the evils of image, this seemed highly necessary. This was all the more feasible since Italy counted among its citizens one of the great inventors of radio techniques, Guglielmo Marconi. And it is he who will be responsible for the implementation of the transmitter located within the very walls of the micro-state.
The Role of Decentralized Platforms in Democratizing Lead Access
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